HOW TO TALK TO GIRLS AT PARTIES

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ABOUT THE AUTHOR

    Neil Gaiman is a British writer who was born in Hampshire, England but currently lives near Minneapolis, Minnesota, in the United States of America. He was raised in Sussex and went to Church of England schools. Neil loved books at an early age. He particularly enjoyed reading the works of C.S. Lewis, J.R.R. Tolkien, Edgar Allan Poe, Ursula K. Leguin, and G.K. Chesterton. Gaiman always labeled himself as the "feral child who was raised in libraries," which he was thankful for since that experience made him appreciate reading more. He began his career as a journalist and interviewer for the British Fantasy Society. Later on, he started to publish his own book, which is a biography of the musical group Duran Duran, in 1994. It was followed by Don’t Panic: The Official Hitchhiker’s Guide to the Galaxy Companion (1988), and he collaborated with Terry Pratchett on Good Omens in 1990. In 1989, he started to write a comic book series entitled "The Sandman," which ended in 1996. Gaiman’s talents for writing are complete in terms of different categories of literature, including his works for adult readers, young adults, and children. Gaiman was one of the first writers to create a blog and a Twitter account whose followers are over one million each. His work has gained multiple awards and recognition internationally. Due to his success as a writer, Gaiman has published 40 books, 39 graphic works, and had 6 television episodes, 5 screenplays, and 2 theater works produced.

SOCIAL AND CULTURAL CONTEXT

    The short story was published in 2006 and is a story about a couple of fifteen-year-old British boys named Enn and Vic who went to a night party full of "aliens" who disguised themselves as girls. At the beginning of the party, music plays a major role in the story, whereas the main character talks about his knowledge of music and trends during that time. He also mentioned the early days of punk, Roxy music, and Bowie’s music, which were the most popular music trends during that period. British people from London have a lively and active nightlife, as portrayed in the story in which the two main protagonists’ story evolved at a night party in Croydon, London. It was also emphasized in the story that the party was full of girls, which may represent the girls' domination in 2006. It was a year for strong-minded and independent women who achieved genuine success in their respective careers. Women have always done well in the music industry, but it is rare to find many unique female personalities thriving at the same time. Hence, it was a women's era in 2006.

    Parents play a significant factor in the lives of the characters too. The beliefs and culture observed by the parents and guardians during that period plays an important role. In one of the scenes, the girl told Enn that "I told them I did not wish to visit the world." she said. My parent-teacher was unimpressed. "You will have much to learn," it told me. I said, "I could learn more in the sun again." Or in the deep. Jessa spun webs between galaxies. I want to do that. " The parent-teacher represents the leader of their “group” who serves as their parent. In reality, children like the girl who talked to Enn wanted to explore the world and learn a lot of things on their own. But since she is a "young adult" and someone who is afraid to disrespect their parents’ decisions, the cultural and social beliefs that children must obey their parents’ choices are explicitly shown in the story. Most young people are unable to stand up on their own and choose how they want to learn and grow as individuals, which results in internal conflict for the children.

    On the other hand, it was also shown in that passage that supernatural beings such as "aliens" and other foreign beings' ideologies existed in the story’s period. Using Homer’s Odyssey, the girls represent sirens who lure Enn and Vic to attend their party using the loud music played at the party. In cultural context, we can say that people during the early 2000s in London had great knowledge and an increasing curiosity about such things.

SUMMARY

Image source: https://images.app.goo.gl/uTjZNrR3QTwFFXVf6

Neil Jaiman’s How to Talk to Girls at Parties is about fifteen-year-old English boys, Vic and Enn, attending a party to meet girls. The narrator, Enn, recounts kissing several of his sisters' friends, while Vic has had girlfriends. Vic encourages his frightened friend to just speak to the girls and pay heed to them. When the boys arrive at the gathering, Vic begins flirting with Stella, a gorgeous girl. Enn goes by himself in an attempt to meet someone.

Enn sits down next to a girl who is seated alone. She introduces herself as Wain's Wain, implying that she is the progeny of someone named Wain and must report back to her. She reveals that she is a "second" since her pinky finger is defective and separates into two smaller fingertips. She informs him that she is not from the area and tells him about her trips. She discusses the amazing sights she saw during Carnival in Rio de Janeiro. Enn, who is at a loss for words, invites her to dance. She informs him it's against the rules, so he offers to fetch her a drink. She's gone when he returns.

He goes to check on Vic and Stella, who are dancing. Enn comes upon another girl with black, spikey hair and offers her the water he fetched for Wain's Wain. She tells him she enjoys being a tourist and recalls her most recent trip to the sun. She claims to have swum in sunfire pools with whales. She bemoans the fact that she has to come to "earth" this time rather than return to the sun, and she complains about the difficulty of taking on a fleshly body in order to be here.

Enn ignores his utter inability to comprehend her and focuses on wrapping his arm around her once again. Just then, Vic interrupts and summons him. Vic informs them that they have arrived at the incorrect party, but that they are welcome to remain. Vic and Stella make their way upstairs together. When Vic returns to the black, spikey-haired girl, he finds that numerous other individuals have taken his place.

Enn goes to the kitchen and drinks some Pernod before seeing a girl named Triolet. She compares herself to a poem. She adds that her ancestors realized their world was coming to an end, so they encased all of their hopes and desires in a pattern or poetry that would allow the words to survive forever. They beamed forth the message in light pulses as they sent the poetry across the universe. She claims that other entities inhabited the poem and it occupied them, and that the poem assumed a body and wandered around.

Conversely, Enn is intent on pushing his leg closer to hers and pressing it against hers. She keeps chatting about the poetry, and Enn is thrilled that she's warmly caressing his arm. She makes a kissing motion with her lips to his, then offers to share the poetry with him. She starts whispering something in his ear. He doesn't comprehend what's being said, but the beat washes over him.

Suddenly, Vic rushes up and informs them that they must go. Triolet is upset that she will not be able to finish her poetry, but Vic is certain. Enn looks up the steps and sees Stella, whose unkempt eyes he will never forget. Thirty years later, when he relates the event, he recalls how it appeared to be an angry world.

The lads run for a long time until Vic comes to a halt and barfs in the street. As he attempts to describe what he's been through, he begins to sob. Enn claims he still has no idea what Vic saw that night that scared him so much. Enn admits at the end of the story that no matter how hard he tried, he couldn't adequately recall the poem whispered to him and would never be able to replicate it.

LITERARY CONVENTIONS/ELEMENTS

Plot

Rising Action:
The fair-haired girl with the deformed fingers hinted that she wasn’t a local of Croydon. After the weird exchange, Enn mustered the courage to ask the girl for a dance, in which she declined because she was not permitted. She speaks as if she was a subordinate of someone. Enn asked if she would like a drink. In which the girl replied that she wanted to drink just water instead of coke. Enn went to get it, however, the girl he interacted with was gone. During that, the place was slowly filled by people who’re older than Vic and Enn. Vic was dancing with Stella at the dance floor, with him holding her so that no one could interfere. Enn walked across the hall to arrive at the living room. On the living room sofa, there was a girl with short dark hair. He approached her to initiate a conversation, he asked if she would like to have the spare cup of water, she accepted it gladly. She spoke of touring the cosmos, last time she went to the sun and swam with the whales and she wanted to go back there again, she didn’t want to be a ‘decaying lump of meat in a calcium frame’. Enn was trying to put his hands over her shoulder slowly. As he was having his arms around her, Vic and Stella stood at the doorway, Vic insisted that Enn should come over because he had to tell him. Vic said that they aren’t at the right party and the people are foreign. After talking, Vic and Stella went upstairs. While Enn, he saw that the sofa was filled with other people and other people were talking with the girl. Enn decided to head to the kitchen, it was a good place for him since other people won’t even question why he’s there. While he was mixing his choice of drinks, a girl from behind approached him and asked for one. Her hair was copper auburn and her name was triolet. She spoke of many complex topics in the form of poetry. Then triolet and Enn were seemingly very affectionate with each other. Then their lips met. After that the girl offered something to Enn, which of course he accepted. Triolet whispered poetry to Enn.

Climax:
Then Vic, who appeared out of nowhere, started shaking Enn aggressively. Triolet tried to persuade Enn to stay, however Vic insisted that they should go. Vic even pulled Enn out of the room. Enn tried to catch a glimpse of Triolet, he didn’t see her, however, he did see Stella disheveled in her clothes and a ruined make up on her face. They ran away from the hall, the party and the twilight. Even when they were out of the house, Vic still insisted on getting away from the house. They ran as if they were being chased. They only stopped when they were not able to run anymore.

Falling Action:
As they panted, Vic said ‘She wasn’t a-”. And he added that there should be places where a person should try to wander in. Then Enn started to see Vic sobbing on the street, not being self-conscious. Vic started to walk in front of Enn so as to not let Enn see his face.

Plot Devices
Suspense - When Vic tried to convince Enn to initiate the talk with the 6-fingered girl. Also, when Enn was being forcibly dragged across the room.

Setting
This story setting was during the early days of punk in the season of summer. It happened at dusk. The story was occurring in the late 1970’s UK, specifically the East Croydon Station. The house they were in was bigger and more complex than what it may seem at the outside and all of the rooms were poorly lit.

Narrative Point of View
The story is narrated by a first-person protagonist (Detached Autobiography), specifically by Enn. In this way, Enn allowed himself to narrate and explain what happened with authority–that it is his story, and that he speaks both for himself and for Vic.

Character and Characterization
Enn - Protagonist, round, dynamic
Vic - Protagonist, round, dynamic
Stella - Foil, flat, dynamic
Wain’s Wain - Foil, flat, static, stocked/stereotype
Gap-Toothed Girl - Foil, flat, static
Triolet - Foil, Flat, static

Tone
The tone of the story is thrilling, irritated, anxious and ominous.
Mood
The mood of the story is romantic, anxious and awkward.
Style
The choice of words are oftenly informal. Most of the sentences spoken by the girls at the party were complex, however the dialogue between Vic and Enn were mostly simple. The language used by the girls were very abstract and hard to understand, as if almost there was a context or event that is untold to the reader. The Imagery of the narrator are very direct and simple however when one of the female characters talk, the imagery tend to be flowery and cosmic.
Theme
The theme of the story is, being too comfortable with people and situations may end-up badly for the person who made haste.

LITERARY CRITIQUE

The Alienation of the Female Sexuality
A Feminist Critique of Neil Gaiman’s
How to Talk to Girls at Parties

Neil Gaiman is a well-known science fiction author who has produced a number of novels, short tales, and comic books, many of which include strong female characters and promote pro-feminist and pro-gender equality themes. Gaiman's "How to Talk to Girls at Parties" is an example of stories featuring gender, in which two teenage males, Enn and Vic, attend a party full of girls, with Enn intent on learning to talk to girls and Vic intent on having sexual contact with them. In this sense, Gaiman's story appears to have a largely male gender, yet upon closer examination, the story addresses stereotyped gender assumptions and calls into question their validity. This allows the story to be viewed from a feminist perspective, which is integrated into the plot via the characters and their representations.

Image source: https://images.app.goo.gl/pxwe5T98qvs6mFJt8
In a patriarchal society, women who express their true sexuality are subjected to alienation.

A woman expressing her sexuality is akin to a woman expressing her womanhood – the peak of her existence. Such an act is a liberation from the world and a fulfillment of the intricate task set upon by nature. However, these expressions were frowned upon by the establishment of the patriarchal society. The patriarchy dictates that women should follow the definition of being a woman that they set out in the first place. In the story, we see Vic and Enn, two boys who symbolize the patriarchal male gender, go to a party where they meet “alien” girls. Further into the story, we see Vic and Enn remark that these girls behave peculiarly. However, the story limits us to the point of view of Enn which only gives us his takes about the “alien” nature of the girls. We are not given the perspective of the girls which limits our understanding of their behavior and subjects us to infer about their actions. When we look at this through the feminist lens, we could infer that the girls weren’t exactly alien, rather their expressions of themselves and their sexuality were alien to the eyes of the boys, the symbol of the patriarchy. This theory is backed up by Triolet's remark: "There are areas where we are welcomed and places where we are seen as a noxious weed, or as a disease, something urgently to be quarantined and exterminated,". This gives us a glimpse of the alienation that the patriarchy does to women who express their sexuality; in the sense of the story, the party is the girls’ expression of sexuality. We also see Vic remark that Stella, one of the girls at the party, wasn’t exactly the woman he thought of. This concept of alienation doesn’t necessarily mean that such creatures are out of this world but would rather mean that their actions don’t conform to the patriarchy’s definition.

The story questions and challenges the gender roles and stereotypes established by the patriarchy.

The establishment of the patriarchy paved the way for the creation of specific definitions such as gender roles which also lead to the inception of stereotypes. In such a society, women are seen to be housekeepers and babysitters. They are seen to be generally weaker than men and their personalities should not be intrusive to the activities of men. Gaiman challenged these gender roles and stereotypes in this story through the presentation of the characters. The story showed the traditional male archetype through Vic, a domineering male who always gets the ladies. And through his remarks, we gain the perspective that men are judged based on their capacity to engage in physical relations with women implying that women are only objects in the patriarchal lens. However, the story challenged this stereotype through Enn whose personality contradicts the traditional male archetype set by the patriarchal society. He is presented as rather meek and awkward with girls although he experienced intimate acts with a small number of women before. Furthermore, these stereotypes were largely challenged through the presentation of the girls in the story. The gap-toothed girl challenged the physical appearance stereotype of what a girl should be. The girl had gap-toothed and spiky hair which seemed contradictory to the patriarchal stereotype of beauty. Triolet also challenged these gender roles and stereotypes by making the first move on a man which defies courtship rules established by the patriarchy. In this sense, Gaiman develops characters that a conventional audience can identify with and relate to, such as Vic and Enn, while also bringing more liberal notions to these traditional audiences such as forceful female characters, who would otherwise be overlooked.

The story shows that the patriarchy oppresses women by being ignorant of the concept of being a woman.

There are various forms of oppression done by the patriarchy to women and being ignorant of their nature and the concept of their existence is an example of such an oppressive act. In the story, we are given the perspective of the boys. In one instance, Enn remarked that he could not understand the nature of girls and that they seem to go to the future which makes them very alien to him. Vic also ditched Stella during their intimate moments as he could not fathom her nature. He said, "You know . . . I think there's a thing. When you've gone as far as you dare. And if you go any further, you wouldn't be you anymore? You'd be the person who'd done that? The places you just can't go. . . . I think that happened to me tonight." In these two instances, we can infer that the patriarchy tends to view women as mysterious creatures and are not worthy of understanding. The patriarchy ingrained the idea that men shouldn’t waste the time understanding women and only measure their worth through their use to the men. This further implies that the patriarchy tends to see women as objects rather than humans that are worthy of understanding.
CONNECTOR (REFLECTION)
HOW TO TALK AT GIRL AT PARTIES’ ARTWORK
This time, members of the literary circle chose to create an interactive visual novel adaptation of Neil Gaiman's "How To Talk To Girls At Parties" using Microsoft PowerPoint. 

Download the file in the link attached below, and play it on your computer's default application for opening and playing .pptx files to begin playing as Enn from the original story!


REFERENCE
Rybak, K. (2018, January 1). Entry on: How to Talk to Girls at Parties by Neil Gaiman. Academia. https://www.academia.edu/39622923/Entry_on_How_to_Talk_to_Girls_at_Parties_by_Neil_Gaiman

Evening Standard. (2012, April 5). The cultural highlights of 2006. https://www.standard.co.uk/reveller/attractions/the-cultural-highlights-of-2006-7213016.html
PluggedIn (2017) How to Talk to Girls at Parties. https://www.pluggedin.com/book-reviews/how-to-talk-to-girls-at-parties/

PluggedIn (2017) How to Talk to Girls at Parties. https://www.pluggedin.com/book-reviews/how-to-talk-to-girls-at-parties/

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